Get this from a library! Kreuzspiel.. [Karlheinz Stockhausen]. Analysis and appreciation of KREUZSPIEL (Cross-play) and SCHLAGTRIO And finally, revising the score during rehearsals or after initial performances. Kreuzspiel (English: Crossplay) is a composition by Karlheinz Stockhausen written for oboe, bass clarinet, piano and four percussionists in It is assigned.

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Messiaen ‘s work is today recognized as a prototype of integral serialism and “pointillist” music, in which each note has dynamic, articulative, and registral properties assigned to kdeuzspiel without direct relation to adjacent notes–an extreme form of Webern ‘s and Schoenberg ‘s “tone-color melody.

Please verify that you are not a robot. A 5th loudspeaker may be hung in the middle high above the instruments. Isolated high and low piano notes bracket soft middle register chords built from the pitch series.


These microphones should not pick up the drums. Sexy Trippy All Moods. A tom-tom crescendo leads to the 1st stage. The oboe and bassclarinet are set in the panorama where they are seated oboe at the kreuzspjel, bass clarinet at the half-right.

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In general this stage is the most dynamic, and ends after a brief percussion climax on a fading tom-tom note. From that point to the end of the movement, the process is reversed, so that all notes arrive again in the two extreme registers, only the six notes originally in the top are now at the bottom, and vice versa.

The piano also plays soft middle register chords throughout. Cancel Forgot your password? Views Read Edit View history. Herbstmusik Oben und Unten Originale. Launch Tabs Welcome Works: Please enter the message.

Kreuzspiel – Wikipedia

Kreuzspiel was influenced by two works Stockhausen heard at Darmstadt in the summer of Don’t have an account? Notes spread from the wind instruments’ registers out to the piano’s high and low registers, and then starting from 2: You may send this item to up to five recipients. Instrumental ensembles — Scores and parts. The treble of the piano is located at the right in the panorama as heard from the hallthe bass at the left resulting in a cross from the oboe high instrument at the left to the piano treble at the right, and from the bass clarinet low instrument at the right to the piano bass at the left.

Please create a new list with a new name; move some items to a new or existing list; or delete some items. According to Stockhausen, the performance “ended in a scandal” Stockhausen Stockhausen regarded Kreuzspiel as his first original composition, as opposed to the style-imitation exercises he did as part of his music studies Stockhausen34, Write a review Rate this item: The winds play material from Stage 1 in reverse.


It is also possible to attach a contact microphone under the keyboard for each octave. Create lists, bibliographies and reviews: The amplification should be adjusted so that all the instruments can be heard equally well even in pianissimo passages, when the drums are playing and and so that the highest and lowest notes on the piano sound equally loud.

The highest octave should be played one degree louder than notated. By using this site, you agree to the Terms of Use and Privacy Policy.

Kreuzspiel, for oboe, bass clarinet, piano, and 3 percussionists

The woodwinds should never make a diminuendo before a rest, but rather should hold out the notes evenly.

Karlheinz Stockhausen Find more information about: At bar 78, the 2 timpani players have a duet. You may have already requested this item. Find a copy in the library Finding libraries that hold this item