Mixing personal memoir with social history and cultural critique, “The Uses of Literacy “anticipates recent interest in modes of cultural analysis that refuse to hide. No doubt about it, the Daily Herald declared, in a lead review of his newly published The Uses of Literacy, Richard Hoggart was “an angry. It is widely recognized that, without Richard Hoggart, there would have been no Centre for cultural studies. It is not always so widely acknowledged that without.

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In his study Hoggart looks at pulp fictionpopular magazines and newspapers and the movies and finds in all of these, “drift”.

The Uses of Literacy, by Richard Hoggart

First, it is a deeply humane account of a social group the mainly Northern working-class at a decisive historical conjuncture, experiencing the interaction of the two broad cultural forces of the predominantly pre-war local traditions of the working class tbe the increasingly powerful commercialism of post-war consumer capitalism. Mystified, but not ungrateful, Hoggart moved on to the next stage of a career that would see him become assistant director general of Unesco and the grand old man of what might be called English literary sociology.

Above all, there was its timeliness. At the time of writing Hoggart is descriptive of his youth, essentially he is carrying out the act of historizing, oc.

Not only did it define an area of cultural enquiry that had hitherto barely existed; it also established a context that no discussion of the new wave of lates northern writers – John Braine, Alan Sillitoe, Stan Barstow, Sid Chaplin – could ignore.

Writing a Letter Writing an Evaluation Letter 3. Significantly, the occasional gusts of mild sentimentalising never transfer to Hoggart’s memories of his own life. All this realised a torrent of publicity in which, for a brief moment, highbrow contributions to the field of cultural studies by middle-aged academics – Hoggart was already edging 40 – were guaranteed a coverage usually reserved for milk bars and Tommy Steele.

The Uses of Literacy: He views the military as the driving for all developments of technical media. The Bonzos borrowed it from the title of a spoof American gangster film invented by Hoggart to symbolise what he called the “invitations to the candy floss world”.

The Uses of Literacy, by Richard Hoggart : Analysis Essay Sample |

Analogously, free speech is not just a matter of what can be said; it is increasingly important who owns the vehicles through which that speech is produced, circulated, and received. Erkki Huhtamo and Jussi Parrika acknowledge authors and their work within this field even though they have not explicitly defined themselves as studies of media archaeology.


Mixing personal memoir with social history and cultural critique, “The Uses of Literacy “anticipates recent interest in modes of cultural analysis that refuse to hide the author behind the mask of objective social scientific technique. It is deeply readable, probably because it is noticeably shot-through with a emotional identification with and intuitive sympathy for the manners of speech, behaviour, and even thought of the working-class community Hoggart studies.

I was raised in a suburb of Reading in what was held by local legend to be, at the time, the largest housing development in Europe outside of Sweden, full of identical brick semis and mock-tudor detached houses, all built in the mid s.

The “Angry Young Man” had been climbing his way up the tabloid north face since the opening night of John Osborne’s Look Back in Anger nine months before.

Working-class hero | Books | The Guardian

It is arranged, significantly, in two conflicting parts: Hoggart argues that the appeals made by mass publicists-more insistent, effective, and pervasive than in the past-are moving toward the creation of an undifferentiated mass culture and that the remnants of an authentic urban hoggart are being destroyed.

Expressed throughout the book the term is used to show a sense of collectiveness and belongingness to an identity. The Group Sense and Democratic Egalitarianism.

Footnotes The Uses of Literacy is above all, in my view, a study of a class living through a period of cultural change that has proved, while still incomplete and deeply contradictory, to be one of the most crucial developments in Western European society of the last century, and continuing in this one. A sense of collective hogvart and togetherness is a fundamental aspect portrayed throughout The Uses of Literacy.

Gitelman, Lisa Always Already New: References to this book Motivation and Personality Abraham H.

Working-class hero

Some of Uses’ sharpest vignettes are autobiographical, grim, poverty-haunted images from the hungry 20s and the Slump: Hoggart, having experienced this culture at first hand, brings alive the attitudes and beliefs of the working class culture.

Is English your native language? The book will be examined in detail, while an attempt will be made in selecting limitations and relevance within a contemporary setting. Retrieved from ” https: If Uses of Literacy was ues attempt to understand the changes in culture in Britain caused by “massification”.

Richard Hoggart and Cultural Studies. They have intolerable pretensions; and pander to the wish to have things both ways, to do as we want and accept no consequences. The question of cultural classlessness—which Hoggart is clear in the Conclusion we are heading towards, or have already started achieving—is more complex, and I will do no more than scrape the surface of that debate here.

Hoggart’s attack is not oof popular culture; rather it is on mass culture which is imposed from above. Lawrence Derby Survey effect emotional feel forms freedom George Orwell girl give Hoggart husband idea important increase ing-class intellectual interest kind less Literacy literature live look magazines manner marriage Marxist mass Matthew Lf mean middle-class modern moral mother newer newspapers older ordinary perhaps phrase pin-ups political present Literaxy Professor Asa Briggs programmes progressivism Raymond Williams readers reading recognisable Richard Hoggart seems sense simply singing social society sometimes songs sort ises streets Stuart Hall style suggested Sunday T.


Neither is his attempt to answer the question “Who are the working classes? Place and placelessness E. They assist literaacy gradual drying-up of the more positive, the fuller, the more cooperative kinds of enjoyment, in which one gains much by giving much. These “alien” phenomena have colonized local communities and robbed them of their distinctive features.

It is quite dated and patronising. As for the final picture, Hoggart’s “ordinary people” are growing richer, less constrained by their environment, more likely to quit the monotony of factory or foundry, better able to spend their leisure time usew they choose.

Hoggart argues that questions about the interaction between these two cultures are important, and the unbalanced nature of their meeting is something we must bear in mind, unless we are satisfied with losing all that is good in the older order and uncritically accepting the newer mass art. To answer tthe questions with the resources set down by Hoggart, The Uses of Literacy must be placed in its dual historical context.

Kittler,F Optical Media. This pioneering work examines changes in the life and values of the English working class in response to mass media. Of course an additional frame cannot just happen overnight, but one would be needed for this to be known a wide scale.

Embedded throughout introductory texts to the field of media archaeology is the binary opposition of technological development versus social process. It has been viewed upon as a key influential text for the emergence of cultural studies as an academic discipline. Creative Writing Guides Writing a Song 3. Written under a Creative Commons License, with edits: The mass cultural tide has swept over our national life, and all we can do is adapt to the consequences.

A brief word on the structure and argument of The Uses of Literacy. hhoggart

These productions belong to a vicarious, spectators’ world; they offer nothing which can really grip the brain or heart.