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We think it is a fine piece. Finally, at we come to final climax with a subtle little echo of the Overture underscored in the 3rd cornet and flugel and with the bells peeling. Congratulations are therefore warranted to the organisers and especially the composer for giving us another European test piece makeove deserves greater exposure than just this single weekend.

Bb Clarinet I 6. The main theme of the Andante cantabile is based on a Russian folksong. F Horn III 2. Bb Trumpet IV 2. Bb Trumpet III 2. Your browser does not support the audio element. The piece itself is about 16 and a half minutes long and basically falls into a number of extremee defined sections. Bb Trumpet II 2. This group eventually provides the accompaniment for an extensive marimba solo, gradually producing a sort of gamelan effect.


Eb Alto Sax II 2. Bb Tenor Sax 1.

Underscoring this all is an extended Marimba solo which becomes more and more complex as it heads to its conclusion and is joined finally by the xylophone and the remaining brass players. Johan de Meij extrfme an extremely intelligent and thoughtful composer of note, who has written many fine original compositions, symphonic transcriptions and arrangements of film scores and musicals. Bass Bb Trombone T. Bb Clarinet II 6.

Hurtling through each instrumental group, it leads us to a festive conclusion. Again the volume throughout is high, so the key may well be to play it just below maximum as to create the effects that are written clearly into the score. It ends with a quote from Tchaikovsky’s 4th Symphony, before we come to what will be a section of writing that will surely be talked about for years to come.

This fragile movement is joined seamlessly to the finale, a canonic treatment of the theme. It does however go on a bit, and there is the thought that it is used in a way to give the ragged lips of the players a bit of a rest before they are asked for more pain in the final section of the work.

It ends with discordance and a final metamorphosis to the last immense chord that closes a work of rare brilliance.

AM Hal Leonard Instrumentation: Additional Parts [for European countries only] 1. Eb Horn III 1. Bb Trombone I T. Bass Trombone C 2.


Bb Bass Tuba T. Bb Bass Tuba B. F Horn I 2.

European Championships – Extreme Make-Over – Set Test Piece | articles

Eb Horn II 1. It is however a work of real beauty and elegance allied to some amazingly complex technical writing. However, the metamorphosis quickens as we progress and the traditional fugue effect of added subjects becomes mixed. Bb Trombone II T.

2005 European Championships – Extreme Make-Over – Set Test Piece

It is certainly something different, but something that really does work well. As the title suggests the work develops in almost chameleon like forms from the kernel of the first four notes of the opening stanza. The build to the final section will tax bands to the full and contains a subtle key change or does it? Johan de Meij Amsterdam, September There is use of dynamic contrast as well as articulation nuance whilst the need for balance and tuning is paramount.

English Horn F 1.

dde There then follows an extended build up when the sense of change is palpable entries are marked ppp, but sense of measured heart beat is audible.