The 2nd prelude, in C-Minor, is a dramatic, almost mechanical creation where The piece has tempo indications from Bach, a rarity, in that bar 28 is marked. An analysis of J.S Bach’s Prelude and Fugue No.2 in C minor, BWV , from the Well Tempered Clavier Book 1. A detailed guide that. 2 in C Minor, BWV Fugue by Glenn Gould on Amazon Music. the Album Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV
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Prelude and Fugue in C minor, BWV – Wikipedia
It was restored by Frank Hubbard in Boston Work Title Prelude and Fugue No. Tonic Chord May 5, Creative Commons Attribution-NonCommercial 4.
The motif consists of running sixteenth notes in the form of broken chords in both hands. Codetta formed from the first limb of the Subject in the Treble, and from the first few notes of the Counter-subject in contrary motion in the Alto, both moving in an ascending sequence. Ends on the Dominant. From Wikipedia, the free encyclopedia. Creative Commons Attribution Non-commercial 3. Unsourced material may be challenged and removed.
This new motif is repeated twice, after which a succession of sixteenth notes ends the prelude on a picardy third. Arranger Joseph Nicholas Fried. C minor, at Bar 4 it moves by degrees away from the original key to its relative Major, E flat Major, by Bar It is the second prelude and fugue in the first book minlr The Well-Tempered Claviera series of 48 preludes and fugues by the composer. Retrieved from ” http: In the first bar of the coda, an arpeggiated chord is followed by a rapid succession of thirty-second notes.
Master tracks available here. This figure, which is persistent throughout the Prelude, till five bars from the end, takes its distinctive character from the Hach note, which almost always forms the third note in each group of four.
Bach: Prelude and Fugue No.2 in C minor, BWV Analysis
These pelude s are part of the Werner Icking Music Collection. Below are the first four bars of the prelude:. The coda begins at the 34th bar, where a sudden change of texture and tempo occurs. Moving gently back to C minor, moves to Dominant Pedal, and further clenches the original key. Performer Pages Martha Goldstein harpsichord. Tonic Pedal at Bars Creative Commons Attribution 3.
It modulates from G minor to C minor. Recorded September in St. Counter-subject in Bass [E flat Major]. Just like the prelude, the fugue ends with a picardy third. Bach-Gesellschaft AusgabeBand 14 pp.
Built upon the Dominant and Tonic Pedals. This article needs additional citations for verification. Performer Pages Kimiko Ishizaka piano.
Ends in the Relative Major. The fugue is 31 bars long, and is written for 3 voices. Bach P 2. Editor Pierre Gouin – Contact.
Prelude and Fugue in C minor, BWV 847 (Bach, Johann Sebastian)
The fugue then continues with a developmentand then another repetition of prelyde subject in the home key. Views Read Edit View history. It was built in the the early seventies by Al Goldstein when he was the partner of Lutz. Couter-subject absent, the inner parts being independent.
Jazz-like arrangement of Bach’s Praeludium II. Please help improve this article by adding citations to reliable sources.