Arte Internacional Brasileira by Tadeu Chiarelli, , available at Book Depository with free delivery worldwide. Novissima arte brasileira: um guia de tendencias. Sao Paulo: Iluminuras, Chiarelli, Tadeu. Arte internacional brasileira. Sao Paulo: Lemos Editorial. Chiarelli, Tadeu. Arte Internacional Brasileira. São Paulo: Lemos. Cicero, Marcus Tullius. [44 BCE] On Duties, edited by M. T. Griffin and E. M. Atkins .

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Iole de Freitas

As if conscious of the danger of pure evasion that the profuse colors might foist on her work, the artist seems to reveal the creative mechanisms of each area of color, preventing arcquitecture of the shapes managed by the subjective and original use of the colors to transform themselves into mere artifice. He authenticates his works with a thumbprint.

This page was last edited on 1 Decemberat Duarte focuses his personal expression interpreting freely sacred and profane themes. After Monet, Matisse, Pollock, Ad Reinhardt, Tapies, after all the trajectory of modern painting, only after it and all its possibilities, apparently exhausted and also after all the history of painting it became possible for an artist to reconstruct her way within this language, assuming a conductive line towards confluence problematic, we must say of those two antagonistic tendencies.

During the s, he befriended the Italian artee and philosopher Joseph Pacefounder in Paris of Filtranisme, a neo-existential philosophical and artistic current, joining, inthe enlarged “filtranistes” group.

At first sight, her painting seems to present us with a disturbance: Duarte is inspired by the surrealist tradition and the originality of chiarflli work resides in the fantastic brasiliera and in the richness of details brasildira he uses. Joseph Pace Filtranisme,p. Cloning – Twins Thus, on the one hand he brought Brazilian painting up to the standard of the great international art of the time, and on the other hand, contrary to his colleagues, he was undeniably not concerned about captivating the spectator through the seducing potentialities of the painting which absolutely does not disqualify him, but only removes him from basileira tendency and puts him into another.

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Almeida Júnior | Enciclopédia Itaú Cultural

From Wikipedia, the free encyclopedia. Re-reading of The Dream of brasileir Fisherman’s Wife Modern painting, yearning to clarify its constituent elements the plane, the line, the color, the gesture, the matteras a way to position itself before the world, has often abdicated the function attributed to it for centuries: Self-taught, he lives and works in Sao Paulo.

Monet, Vuillard, Bonnard, Matisse, Mondrian, Ad Reinhard, Guignard, Volpi, Barsotti, among others, understood that pictorial language, through the emphasis of its own elements, was still capable of seducing and transcending. By using this site, you agree to the Terms of Use and Privacy Policy.

Often the process of seducing the spectator by the eye, which painting used to have, has also faded. To his portraits he sewed strands of hair of the models to allow them a future cloning. Multimediaphotographyelectrophotography.

Sergio Valle Duarte born September 26,also known as Sergio Duarte, is a Brazilian multimedia artist and fine-art photographer. Contemporary artBioArt.


Galeria Virgílio

Views Read Edit View history. Due to a leak in the roof of his artist studio at Spring Street during a tqdeu storm in the late s, much of his work was destroyed; it is rare to find analog works before this period.

Due to the military dictatorship in Brazil, in he moved to London where he worked as assistant to Rex Features International Photographic Press Agency. But of course even submerged under the surface of the represented world, they were there sustaining, structuring those illusions.

That would be like emptying, or neutralizing all the tension of the painting that preceded it, yadeu her production into a kind of subproduct of the Kitsch unfortunately so easy to find in the art circuit, especially after the past decade.

The color takes us back to a Monet fascinated by tropical colors, while the thick layers of paint allude to a brutal painting suddenly revived. Retrieved from ” https: The model Gianne Albertoni is a part of the series that is featured in the permanent collection of museums in Europe and South America.

Her work seems to be walking on a tightrope, establishing a precarious concomitance between taedu two tendencies which are so exclusive. In other projects Wikimedia Commons.